The allegorical Impulse, Part 1
list of works
no(CR) Eduardo Navas --navasse--
The Allegorical Impulse
1
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sentence: Two
)
...
1
Craig Owens, "The Allegorical Impulse: Towards a Theory of Postmodernism," Wallis, B., Ed.,
Art After Modernism: Rethinking Representation
(New York: Godine, 1984) 215
Here
we
recognize
that
permanent
strategy
of
Western
art
theory
which
excludes
from
the
work
everything
which
challenges
its
determination
as
the
unity
of
'form'
and
'content.'
Here
we
recognize
that
permanent
strategy
of
Western
art
theory
which
excludes
from
the
work
everything
which
challenges
its
determination
as
the
unity
of
'form'
and
'content.'
Here
we
recognize
that
permanent
strategy
of
Western
art
theory
which
excludes
from
the
work
everything
which
challenges
its
determination
as
the
unity
of
'form'
and
'content.'
Here
we
recognize
that
permanent
strategy
of
Western
art
theory
which
excludes
from
the
work
everything
which
challenges
its
determination
as
the
unity
of
'form'
and
'content.'
Here
we
recognize
that
permanent
strategy
of
Western
art
theory
which
excludes
from
the
work
everything
which
challenges
its
determination
as
the
unity
of
'form'
and
'content.'
Here
we
recognize
that
permanent
strategy
of
Western
art
theory
which
excludes
from
the
work
everything
which
challenges
its
determination
as
the
unity
of
'form'
and
'content.'
Here
we
recognize
that
permanent
strategy
of
Western
art
theory
which
excludes
from
the
work
everything
which
challenges
its
determination
as
the
unity
of
'form'
and
'content.'
Here
we
recognize
that
permanent
strategy
of
Western
art
theory
which
excludes
from
the
work
everything
which
challenges
its
determination
as
the
unity
of
'form'
and
'content.'
Here
we
recognize
that
permanent
strategy
of
Western
art
theory
which
excludes
from
the
work
everything
which
challenges
its
determination
as
the
unity
of
'form'
and
'content.'
Here
we
recognize
that
permanent
strategy
of
Western
art
theory
which
excludes
from
the
work
everything
which
challenges
its
determination
as
the
unity
of
'form'
and
'content.'
Here
we
recognize
that
permanent
strategy
of
Western
art
theory
which
excludes
from
the
work
everything
which
challenges
its
determination
as
the
unity
of
'form'
and
'content.'
Here
we
recognize
that
permanent
strategy
of
Western
art
theory
which
excludes
from
the
work
everything
which
challenges
its
determination
as
the
unity
of
'form'
and
'content.'
Here
we
recognize
that
permanent
strategy
of
Western
art
theory
which
excludes
from
the
work
everything
which
challenges
its
determination
as
the
unity
of
'form'
and
'content.'
Here
we
recognize
that
permanent
strategy
of
Western
art
theory
which
excludes
from
the
work
everything
which
challenges
its
determination
as
the
unity
of
'form'
and
'content.'
Here
we
recognize
that
permanent
strategy
of
Western
art
theory
which
excludes
from
the
work
everything
which
challenges
its
determination
as
the
unity
of
'form'
and
'content.'
Here
we
recognize
that
permanent
strategy
of
Western
art
theory
which
excludes
from
the
work
everything
which
challenges
its
determination
as
the
unity
of
'form'
and
'content.'
Here
we
recognize
that
permanent
strategy
of
Western
art
theory
which
excludes
from
the
work
everything
which
challenges
its
determination
as
the
unity
of
'form'
and
'content.'
Here
we
recognize
that
permanent
strategy
of
Western
art
theory
which
excludes
from
the
work
everything
which
challenges
its
determination
as
the
unity
of
'form'
and
'content.'
Here
we
recognize
that
permanent
strategy
of
Western
art
theory
which
excludes
from
the
work
everything
which
challenges
its
determination
as
the
unity
of
'form'
and
'content.'
Here
we
recognize
that
permanent
strategy
of
Western
art
theory
which
excludes
from
the
work
everything
which
challenges
its
determination
as
the
unity
of
'form'
and
'content.'
Here
we
recognize
that
permanent
strategy
of
Western
art
theory
which
excludes
from
the
work
everything
which
challenges
its
determination
as
the
unity
of
'form'
and
'content.'
Here
we
recognize
that
permanent
strategy
of
Western
art
theory
which
excludes
from
the
work
everything
which
challenges
its
determination
as
the
unity
of
'form'
and
'content.'
Here
we
recognize
that
permanent
strategy
of
Western
art
theory
which
excludes
from
the
work
everything
which
challenges
its
determination
as
the
unity
of
'form'
and
'content.'
Here
we
recognize
that
permanent
strategy
of
Western
art
theory
which
excludes
from
the
work
everything
which
challenges
its
determination
as
the
unity
of
'form'
and
'content.'
Here
we
recognize
that
permanent
strategy
of
Western
art
theory
which
excludes
from
the
work
everything
which
challenges
its
determination
as
the
unity
of
'form'
and
'content.'
Here
we
recognize
that
permanent
strategy
of
Western
art
theory
which
excludes
from
the
work
everything
which
challenges
its
determination
as
the
unity
of
'form'
and
'content.'
Here
we
recognize
that
permanent
strategy
of
Western
art
theory
which
excludes
from
the
work
everything
which
challenges
its
determination
as
the
unity
of
'form'
and
'content.'