The allegorical Impulse, Part 1
list of works
no(CR) Eduardo Navas --navasse--
The Allegorical Impulse
1
...
(
sentence: Six
)
...
1
Craig Owens, "The Allegorical Impulse: Towards a Theory of Postmodernism," Wallis, B., Ed.,
Art After Modernism: Rethinking Representation
(New York: Godine, 1984) 215
Rosemond
Tuve
describes
the
viewer's
'experience
of
a
genre-picture-
or
so
he
had
thought
it--
turning
into...
[an]
allegory
before
his
eyes,
by
something
he
learns
(usually
about
the
history
and
thence
the
significance
of
the
image).
Rosemond
Tuve
describes
the
viewer's
'experience
of
a
genre-picture-
or
so
he
had
thought
it--
turning
into...
[an]
allegory
before
his
eyes,
by
something
he
learns
(usually
about
the
history
and
thence
the
significance
of
the
image).
Rosemond
Tuve
describes
the
viewer's
'experience
of
a
genre-picture-
or
so
he
had
thought
it--
turning
into...
[an]
allegory
before
his
eyes,
by
something
he
learns
(usually
about
the
history
and
thence
the
significance
of
the
image).
Rosemond
Tuve
describes
the
viewer's
'experience
of
a
genre-picture-
or
so
he
had
thought
it--
turning
into...
[an]
allegory
before
his
eyes,
by
something
he
learns
(usually
about
the
history
and
thence
the
significance
of
the
image).
Rosemond
Tuve
describes
the
viewer's
'experience
of
a
genre-picture-
or
so
he
had
thought
it--
turning
into...
[an]
allegory
before
his
eyes,
by
something
he
learns
(usually
about
the
history
and
thence
the
significance
of
the
image).
Rosemond
Tuve
describes
the
viewer's
'experience
of
a
genre-picture-
or
so
he
had
thought
it--
turning
into...
[an]
allegory
before
his
eyes,
by
something
he
learns
(usually
about
the
history
and
thence
the
significance
of
the
image).
Rosemond
Tuve
describes
the
viewer's
'experience
of
a
genre-picture-
or
so
he
had
thought
it--
turning
into...
[an]
allegory
before
his
eyes,
by
something
he
learns
(usually
about
the
history
and
thence
the
significance
of
the
image).
Rosemond
Tuve
describes
the
viewer's
'experience
of
a
genre-picture-
or
so
he
had
thought
it--
turning
into...
[an]
allegory
before
his
eyes,
by
something
he
learns
(usually
about
the
history
and
thence
the
significance
of
the
image).
Rosemond
Tuve
describes
the
viewer's
'experience
of
a
genre-picture-
or
so
he
had
thought
it--
turning
into...
[an]
allegory
before
his
eyes,
by
something
he
learns
(usually
about
the
history
and
thence
the
significance
of
the
image).
Rosemond
Tuve
describes
the
viewer's
'experience
of
a
genre-picture-
or
so
he
had
thought
it--
turning
into...
[an]
allegory
before
his
eyes,
by
something
he
learns
(usually
about
the
history
and
thence
the
significance
of
the
image).
Rosemond
Tuve
describes
the
viewer's
'experience
of
a
genre-picture-
or
so
he
had
thought
it--
turning
into...
[an]
allegory
before
his
eyes,
by
something
he
learns
(usually
about
the
history
and
thence
the
significance
of
the
image).
Rosemond
Tuve
describes
the
viewer's
'experience
of
a
genre-picture-
or
so
he
had
thought
it--
turning
into...
[an]
allegory
before
his
eyes,
by
something
he
learns
(usually
about
the
history
and
thence
the
significance
of
the
image).
Rosemond
Tuve
describes
the
viewer's
'experience
of
a
genre-picture-
or
so
he
had
thought
it--
turning
into...
[an]
allegory
before
his
eyes,
by
something
he
learns
(usually
about
the
history
and
thence
the
significance
of
the
image).
Rosemond
Tuve
describes
the
viewer's
'experience
of
a
genre-picture-
or
so
he
had
thought
it--
turning
into...
[an]
allegory
before
his
eyes,
by
something
he
learns
(usually
about
the
history
and
thence
the
significance
of
the
image).
Rosemond
Tuve
describes
the
viewer's
'experience
of
a
genre-picture-
or
so
he
had
thought
it--
turning
into...
[an]
allegory
before
his
eyes,
by
something
he
learns
(usually
about
the
history
and
thence
the
significance
of
the
image).
Rosemond
Tuve
describes
the
viewer's
'experience
of
a
genre-picture-
or
so
he
had
thought
it--
turning
into...
[an]
allegory
before
his
eyes,
by
something
he
learns
(usually
about
the
history
and
thence
the
significance
of
the
image).
Rosemond
Tuve
describes
the
viewer's
'experience
of
a
genre-picture-
or
so
he
had
thought
it--
turning
into...
[an]
allegory
before
his
eyes,
by
something
he
learns
(usually
about
the
history
and
thence
the
significance
of
the
image).
Rosemond
Tuve
describes
the
viewer's
'experience
of
a
genre-picture-
or
so
he
had
thought
it--
turning
into...
[an]
allegory
before
his
eyes,
by
something
he
learns
(usually
about
the
history
and
thence
the
significance
of
the
image).
Rosemond
Tuve
describes
the
viewer's
'experience
of
a
genre-picture-
or
so
he
had
thought
it--
turning
into...
[an]
allegory
before
his
eyes,
by
something
he
learns
(usually
about
the
history
and
thence
the
significance
of
the
image).
Rosemond
Tuve
describes
the
viewer's
'experience
of
a
genre-picture-
or
so
he
had
thought
it--
turning
into...
[an]
allegory
before
his
eyes,
by
something
he
learns
(usually
about
the
history
and
thence
the
significance
of
the
image).
Rosemond
Tuve
describes
the
viewer's
'experience
of
a
genre-picture-
or
so
he
had
thought
it--
turning
into...
[an]
allegory
before
his
eyes,
by
something
he
learns
(usually
about
the
history
and
thence
the
significance
of
the
image).
Rosemond
Tuve
describes
the
viewer's
'experience
of
a
genre-picture-
or
so
he
had
thought
it--
turning
into...
[an]
allegory
before
his
eyes,
by
something
he
learns
(usually
about
the
history
and
thence
the
significance
of
the
image).
Rosemond
Tuve
describes
the
viewer's
'experience
of
a
genre-picture-
or
so
he
had
thought
it--
turning
into...
[an]
allegory
before
his
eyes,
by
something
he
learns
(usually
about
the
history
and
thence
the
significance
of
the
image).
Rosemond
Tuve
describes
the
viewer's
'experience
of
a
genre-picture-
or
so
he
had
thought
it--
turning
into...
[an]
allegory
before
his
eyes,
by
something
he
learns
(usually
about
the
history
and
thence
the
significance
of
the
image).
Rosemond
Tuve
describes
the
viewer's
'experience
of
a
genre-picture-
or
so
he
had
thought
it--
turning
into...
[an]
allegory
before
his
eyes,
by
something
he
learns
(usually
about
the
history
and
thence
the
significance
of
the
image).
Rosemond
Tuve
describes
the
viewer's
'experience
of
a
genre-picture-
or
so
he
had
thought
it--
turning
into...
[an]
allegory
before
his
eyes,
by
something
he
learns
(usually
about
the
history
and
thence
the
significance
of
the
image).
Rosemond
Tuve
describes
the
viewer's
'experience
of
a
genre-picture-
or
so
he
had
thought
it--
turning
into...
[an]
allegory
before
his
eyes,
by
something
he
learns
(usually
about
the
history
and
thence
the
significance
of
the
image).
Rosemond
Tuve
describes
the
viewer's
'experience
of
a
genre-picture-
or
so
he
had
thought
it--
turning
into...
[an]
allegory
before
his
eyes,
by
something
he
learns
(usually
about
the
history
and
thence
the
significance
of
the
image).
Rosemond
Tuve
describes
the
viewer's
'experience
of
a
genre-picture-
or
so
he
had
thought
it--
turning
into...
[an]
allegory
before
his
eyes,
by
something
he
learns
(usually
about
the
history
and
thence
the
significance
of
the
image).
Rosemond
Tuve
describes
the
viewer's
'experience
of
a
genre-picture-
or
so
he
had
thought
it--
turning
into...
[an]
allegory
before
his
eyes,
by
something
he
learns
(usually
about
the
history
and
thence
the
significance
of
the
image).
Rosemond
Tuve
describes
the
viewer's
'experience
of
a
genre-picture-
or
so
he
had
thought
it--
turning
into...
[an]
allegory
before
his
eyes,
by
something
he
learns
(usually
about
the
history
and
thence
the
significance
of
the
image).
Rosemond
Tuve
describes
the
viewer's
'experience
of
a
genre-picture-
or
so
he
had
thought
it--
turning
into...
[an]
allegory
before
his
eyes,
by
something
he
learns
(usually
about
the
history
and
thence
the
significance
of
the
image).
Rosemond
Tuve
describes
the
viewer's
'experience
of
a
genre-picture-
or
so
he
had
thought
it--
turning
into...
[an]
allegory
before
his
eyes,
by
something
he
learns
(usually
about
the
history
and
thence
the
significance
of
the
image).
Rosemond
Tuve
describes
the
viewer's
'experience
of
a
genre-picture-
or
so
he
had
thought
it--
turning
into...
[an]
allegory
before
his
eyes,
by
something
he
learns
(usually
about
the
history
and
thence
the
significance
of
the
image).
Rosemond
Tuve
describes
the
viewer's
'experience
of
a
genre-picture-
or
so
he
had
thought
it--
turning
into...
[an]
allegory
before
his
eyes,
by
something
he
learns
(usually
about
the
history
and
thence
the
significance
of
the
image).
Rosemond
Tuve
describes
the
viewer's
'experience
of
a
genre-picture-
or
so
he
had
thought
it--
turning
into...
[an]
allegory
before
his
eyes,
by
something
he
learns
(usually
about
the
history
and
thence
the
significance
of
the
image).
Rosemond
Tuve
describes
the
viewer's
'experience
of
a
genre-picture-
or
so
he
had
thought
it--
turning
into...
[an]
allegory
before
his
eyes,
by
something
he
learns
(usually
about
the
history
and
thence
the
significance
of
the
image).