Aug. 24, 2000
Column
Subversive acts don't get much subtler than this: Sneaking CDs
into music stores and stashing them in the sales bins.
Nonetheless, that is the plan of attack for the Droplift Project,
a blend of artistic statement and guerrilla social protest that
touches on issues of copyright, intellectual property and creative
license in the digital age.
The nationwide effort centers on an independently produced CD,
The Droplift Project, which features 29 tracks by recording artists
from across North America. These are little-known tinkerers who
specialize in found sound and audio collage, using digital samplers
and other technology to appropriate material from various sources -
pop music, TV commercials, video games, etc. - and reassemble it in
new forms, often with a satirical twist.
For example, a track called ``Blame the Media'' by Project Data
Control incorporates snippets of dialog from news broadcasts about
armed conflicts in Central America. Then clips from ``Scooby Doo,''
``Leave It to Beaver'' and ``Ghostbusters'' are added to the mix,
and the whole conglomeration is set to a hip-hop beat.
Although there is some legal and social precedent for artists to
do such things in other media, this sort of recording rankles the
lawyers at record labels and big media corporations. Major retail
chains, rather than take a stand as bold defenders of the First
Amendment, are hesitant to sell such products and risk a legal
battle.
As a result, a network of wiseacres - most of whom have met only
via the Internet - conceived the Droplift Project, which generates
no revenue.
Beginning on July 28, participants quietly took copies of the CD
to chain record stores in their area and left them in the bins; it's
the opposite of shoplifting. Presumably the discs were picked up by
curious shoppers and taken to confused sales clerks who summoned
their managers to discuss the issue. Because the disc was not part
of the store's inventory, the shopper typically was allowed to take
it home free of charge.
Longtime southsider Peter Wallace, a graduate student at IUPUI,
was among the local participants. He dropped the Droplift CD at
Borders and Best Buy in Greenwood, Best Buy and Wherehouse Music in
Castleton and Karma Records on Indy's east side. He doesn't know
what happened to the CDs after that.
``It is basically a prank,'' he said.
The issues at stake, however, are important, he said. Corporate
interests and profit motives are threatening free speech and
creativity.
``Once a work of art exists, there are parts of it that can be
appropriated,'' he said. ``It has a long, respectable history. ...
Classical composers often quoted passages from their predecessors.''
Another participant was Tom Visnius, also a grad student, but at
Indiana University. He also volunteers for a couple on-air slots on
WFHB, Bloomington's marvelous community radio station.
In addition to playing some of the Droplift cuts on his radio
show, Visnius dropped the CDs at three chain music stores.
He is concerned that the controversy over Napster, which is
essentially a financial dispute between business entities, is
dominating the debate over copyright law. To him, the question of
whether artists can appropriate small elements from other media has
far deeper consequences.
``The idea of found sound is just as valid as found objects in
visual media,'' he said. ``They're sampling and recontextualizing
it.''
Wallace put it this way: ``You eventually get to the point where
everything is copyrighted, and then you have the death of art.''
Find more information and downloadable cuts from the Droplift
Project at http://www.droplift.org/.
Lotus fest approaches
By far one of the coolest regular music events in Indiana is the
annual Lotus World Music & Arts Festival in Bloomington, which
attracts scores of performers from around the globe for several days
of music and cross-cultural sharing.
Tickets go on sale Friday for this year's festival, which runs
Sept. 20 to 24. The centerpiece is the evening showcases on Sept. 22
and 23, when more than 26 acts from Asia, Africa, Europe and the
Americas will perform at eight venues in the downtown area. Tickets
are $20 per night or $35 for both nights in advance, but $5 more at
the gate. Tickets for kids and seniors are $12 per night in advance,
$15 at the gate.
Be warned, however: Due to the conjunction of several other
events, including Freshman Family Weekend, hotel rooms are virtually
impossible to find in Bloomington on those dates.
For more info on tickets, schedule and lodging, check out the
official Web site at http://www.lotusfest.org/, or
call the Lotus office at (812) 336-6599.