Discover more Net Culture See also: Intel's Online Art Gallery
This year's Biennial marks the first major American survey of
contemporary art to feature current developments in Internet art. It
opens Thursday and runs through June 4.
"Internet art has reached a critical stage where a significant
number of artists are producing works for this new medium," said
Maxwell L. Anderson, director of the Whitney. "An impressive number
of really exciting works have been made, and a substantial critical
dialogue has developed that is slowly but surely drawing in
mainstream art historians and theorists. As of 2000, Internet art
can no longer be ignored as a legitimate art form."
The nine artists whose works were chosen represent a wide range
of visual styles and multimedia content. Sites range from the
literary to the abstract, from the conceptual to the satirical.
Three presentation strategies are used to complement one another: a
giant screen in the main galleries of the museum allows visitors to
interact with the works in a public sphere, a suite of computers
within the museum are available for visitors to interact
individually with the Web sites, and the URLs are available as links
on the Whitney's homepage.
Mark Amerika's Grammatron, created in 1997,
and Darcy Steinke's Blindspot,
created in 1999, represent hypertext fiction. Both are nonlinear
narratives that attempt to create "environments" for the reader to
experience using multimedia. The imaginitive Grammatron plot, if you
can call it that, centers around a character with the split
personality of an "info-shaman" and a sexless digital creature.
Blindspot features a mysterious text and moody images, and utilizes
frames to introduce 19 shorter sub-stories.
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