The allegorical Impulse, Part 1
list of works
no(CR) Eduardo Navas --navasse--
The Allegorical Impulse
1
...
(
sentence: Ten
)
...
1
Craig Owens, "The Allegorical Impulse: Towards a Theory of Postmodernism," Wallis, B., Ed.,
Art After Modernism: Rethinking Representation
(New York: Godine, 1984) 215
Because
allegory
usurps
its
object
it
comports
within
itself
a
danger,
the
possibility
of
perversion:
that
what
is
'merely
appended'
to
the
work
of
art
be
mistaken
for
its
'essence'
Because
allegory
usurps
its
object
it
comports
within
itself
a
danger,
the
possibility
of
perversion:
that
what
is
'merely
appended'
to
the
work
of
art
be
mistaken
for
its
'essence'
Because
allegory
usurps
its
object
it
comports
within
itself
a
danger,
the
possibility
of
perversion:
that
what
is
'merely
appended'
to
the
work
of
art
be
mistaken
for
its
'essence'
Because
allegory
usurps
its
object
it
comports
within
itself
a
danger,
the
possibility
of
perversion:
that
what
is
'merely
appended'
to
the
work
of
art
be
mistaken
for
its
'essence'
Because
allegory
usurps
its
object
it
comports
within
itself
a
danger,
the
possibility
of
perversion:
that
what
is
'merely
appended'
to
the
work
of
art
be
mistaken
for
its
'essence'
Because
allegory
usurps
its
object
it
comports
within
itself
a
danger,
the
possibility
of
perversion:
that
what
is
'merely
appended'
to
the
work
of
art
be
mistaken
for
its
'essence'
Because
allegory
usurps
its
object
it
comports
within
itself
a
danger,
the
possibility
of
perversion:
that
what
is
'merely
appended'
to
the
work
of
art
be
mistaken
for
its
'essence'
Because
allegory
usurps
its
object
it
comports
within
itself
a
danger,
the
possibility
of
perversion:
that
what
is
'merely
appended'
to
the
work
of
art
be
mistaken
for
its
'essence'
Because
allegory
usurps
its
object
it
comports
within
itself
a
danger,
the
possibility
of
perversion:
that
what
is
'merely
appended'
to
the
work
of
art
be
mistaken
for
its
'essence'
Because
allegory
usurps
its
object
it
comports
within
itself
a
danger,
the
possibility
of
perversion:
that
what
is
'merely
appended'
to
the
work
of
art
be
mistaken
for
its
'essence'
Because
allegory
usurps
its
object
it
comports
within
itself
a
danger,
the
possibility
of
perversion:
that
what
is
'merely
appended'
to
the
work
of
art
be
mistaken
for
its
'essence'
Because
allegory
usurps
its
object
it
comports
within
itself
a
danger,
the
possibility
of
perversion:
that
what
is
'merely
appended'
to
the
work
of
art
be
mistaken
for
its
'essence'
Because
allegory
usurps
its
object
it
comports
within
itself
a
danger,
the
possibility
of
perversion:
that
what
is
'merely
appended'
to
the
work
of
art
be
mistaken
for
its
'essence'
Because
allegory
usurps
its
object
it
comports
within
itself
a
danger,
the
possibility
of
perversion:
that
what
is
'merely
appended'
to
the
work
of
art
be
mistaken
for
its
'essence'
Because
allegory
usurps
its
object
it
comports
within
itself
a
danger,
the
possibility
of
perversion:
that
what
is
'merely
appended'
to
the
work
of
art
be
mistaken
for
its
'essence'
Because
allegory
usurps
its
object
it
comports
within
itself
a
danger,
the
possibility
of
perversion:
that
what
is
'merely
appended'
to
the
work
of
art
be
mistaken
for
its
'essence'
Because
allegory
usurps
its
object
it
comports
within
itself
a
danger,
the
possibility
of
perversion:
that
what
is
'merely
appended'
to
the
work
of
art
be
mistaken
for
its
'essence'
Because
allegory
usurps
its
object
it
comports
within
itself
a
danger,
the
possibility
of
perversion:
that
what
is
'merely
appended'
to
the
work
of
art
be
mistaken
for
its
'essence'
Because
allegory
usurps
its
object
it
comports
within
itself
a
danger,
the
possibility
of
perversion:
that
what
is
'merely
appended'
to
the
work
of
art
be
mistaken
for
its
'essence'
Because
allegory
usurps
its
object
it
comports
within
itself
a
danger,
the
possibility
of
perversion:
that
what
is
'merely
appended'
to
the
work
of
art
be
mistaken
for
its
'essence'
Because
allegory
usurps
its
object
it
comports
within
itself
a
danger,
the
possibility
of
perversion:
that
what
is
'merely
appended'
to
the
work
of
art
be
mistaken
for
its
'essence'
Because
allegory
usurps
its
object
it
comports
within
itself
a
danger,
the
possibility
of
perversion:
that
what
is
'merely
appended'
to
the
work
of
art
be
mistaken
for
its
'essence'
Because
allegory
usurps
its
object
it
comports
within
itself
a
danger,
the
possibility
of
perversion:
that
what
is
'merely
appended'
to
the
work
of
art
be
mistaken
for
its
'essence'
Because
allegory
usurps
its
object
it
comports
within
itself
a
danger,
the
possibility
of
perversion:
that
what
is
'merely
appended'
to
the
work
of
art
be
mistaken
for
its
'essence'
Because
allegory
usurps
its
object
it
comports
within
itself
a
danger,
the
possibility
of
perversion:
that
what
is
'merely
appended'
to
the
work
of
art
be
mistaken
for
its
'essence'
Because
allegory
usurps
its
object
it
comports
within
itself
a
danger,
the
possibility
of
perversion:
that
what
is
'merely
appended'
to
the
work
of
art
be
mistaken
for
its
'essence'
Because
allegory
usurps
its
object
it
comports
within
itself
a
danger,
the
possibility
of
perversion:
that
what
is
'merely
appended'
to
the
work
of
art
be
mistaken
for
its
'essence'
Because
allegory
usurps
its
object
it
comports
within
itself
a
danger,
the
possibility
of
perversion:
that
what
is
'merely
appended'
to
the
work
of
art
be
mistaken
for
its
'essence'
Because
allegory
usurps
its
object
it
comports
within
itself
a
danger,
the
possibility
of
perversion:
that
what
is
'merely
appended'
to
the
work
of
art
be
mistaken
for
its
'essence'
Because
allegory
usurps
its
object
it
comports
within
itself
a
danger,
the
possibility
of
perversion:
that
what
is
'merely
appended'
to
the
work
of
art
be
mistaken
for
its
'essence'