The allegorical Impulse, Part 1
list of works
no(CR) Eduardo Navas --navasse--
The Allegorical Impulse
1
...
(
sentence: Eleven
)
...
1
Craig Owens, "The Allegorical Impulse: Towards a Theory of Postmodernism," Wallis, B., Ed.,
Art After Modernism: Rethinking Representation
(New York: Godine, 1984) 215
Hence
the
vehemence
with
which
modern
aesthetics--
formalist
aesthetics
in
particular--
rails
against
the
allegorical
supplement,
for
it
challenges
the
security
of
the
foundations
upon
which
aesthetics
is
erected.
Hence
the
vehemence
with
which
modern
aesthetics--
formalist
aesthetics
in
particular--
rails
against
the
allegorical
supplement,
for
it
challenges
the
security
of
the
foundations
upon
which
aesthetics
is
erected.
Hence
the
vehemence
with
which
modern
aesthetics--
formalist
aesthetics
in
particular--
rails
against
the
allegorical
supplement,
for
it
challenges
the
security
of
the
foundations
upon
which
aesthetics
is
erected.
Hence
the
vehemence
with
which
modern
aesthetics--
formalist
aesthetics
in
particular--
rails
against
the
allegorical
supplement,
for
it
challenges
the
security
of
the
foundations
upon
which
aesthetics
is
erected.
Hence
the
vehemence
with
which
modern
aesthetics--
formalist
aesthetics
in
particular--
rails
against
the
allegorical
supplement,
for
it
challenges
the
security
of
the
foundations
upon
which
aesthetics
is
erected.
Hence
the
vehemence
with
which
modern
aesthetics--
formalist
aesthetics
in
particular--
rails
against
the
allegorical
supplement,
for
it
challenges
the
security
of
the
foundations
upon
which
aesthetics
is
erected.
Hence
the
vehemence
with
which
modern
aesthetics--
formalist
aesthetics
in
particular--
rails
against
the
allegorical
supplement,
for
it
challenges
the
security
of
the
foundations
upon
which
aesthetics
is
erected.
Hence
the
vehemence
with
which
modern
aesthetics--
formalist
aesthetics
in
particular--
rails
against
the
allegorical
supplement,
for
it
challenges
the
security
of
the
foundations
upon
which
aesthetics
is
erected.
Hence
the
vehemence
with
which
modern
aesthetics--
formalist
aesthetics
in
particular--
rails
against
the
allegorical
supplement,
for
it
challenges
the
security
of
the
foundations
upon
which
aesthetics
is
erected.
Hence
the
vehemence
with
which
modern
aesthetics--
formalist
aesthetics
in
particular--
rails
against
the
allegorical
supplement,
for
it
challenges
the
security
of
the
foundations
upon
which
aesthetics
is
erected.
Hence
the
vehemence
with
which
modern
aesthetics--
formalist
aesthetics
in
particular--
rails
against
the
allegorical
supplement,
for
it
challenges
the
security
of
the
foundations
upon
which
aesthetics
is
erected.
Hence
the
vehemence
with
which
modern
aesthetics--
formalist
aesthetics
in
particular--
rails
against
the
allegorical
supplement,
for
it
challenges
the
security
of
the
foundations
upon
which
aesthetics
is
erected.
Hence
the
vehemence
with
which
modern
aesthetics--
formalist
aesthetics
in
particular--
rails
against
the
allegorical
supplement,
for
it
challenges
the
security
of
the
foundations
upon
which
aesthetics
is
erected.
Hence
the
vehemence
with
which
modern
aesthetics--
formalist
aesthetics
in
particular--
rails
against
the
allegorical
supplement,
for
it
challenges
the
security
of
the
foundations
upon
which
aesthetics
is
erected.
Hence
the
vehemence
with
which
modern
aesthetics--
formalist
aesthetics
in
particular--
rails
against
the
allegorical
supplement,
for
it
challenges
the
security
of
the
foundations
upon
which
aesthetics
is
erected.
Hence
the
vehemence
with
which
modern
aesthetics--
formalist
aesthetics
in
particular--
rails
against
the
allegorical
supplement,
for
it
challenges
the
security
of
the
foundations
upon
which
aesthetics
is
erected.
Hence
the
vehemence
with
which
modern
aesthetics--
formalist
aesthetics
in
particular--
rails
against
the
allegorical
supplement,
for
it
challenges
the
security
of
the
foundations
upon
which
aesthetics
is
erected.
Hence
the
vehemence
with
which
modern
aesthetics--
formalist
aesthetics
in
particular--
rails
against
the
allegorical
supplement,
for
it
challenges
the
security
of
the
foundations
upon
which
aesthetics
is
erected.
Hence
the
vehemence
with
which
modern
aesthetics--
formalist
aesthetics
in
particular--
rails
against
the
allegorical
supplement,
for
it
challenges
the
security
of
the
foundations
upon
which
aesthetics
is
erected.
Hence
the
vehemence
with
which
modern
aesthetics--
formalist
aesthetics
in
particular--
rails
against
the
allegorical
supplement,
for
it
challenges
the
security
of
the
foundations
upon
which
aesthetics
is
erected.
Hence
the
vehemence
with
which
modern
aesthetics--
formalist
aesthetics
in
particular--
rails
against
the
allegorical
supplement,
for
it
challenges
the
security
of
the
foundations
upon
which
aesthetics
is
erected.
Hence
the
vehemence
with
which
modern
aesthetics--
formalist
aesthetics
in
particular--
rails
against
the
allegorical
supplement,
for
it
challenges
the
security
of
the
foundations
upon
which
aesthetics
is
erected.
Hence
the
vehemence
with
which
modern
aesthetics--
formalist
aesthetics
in
particular--
rails
against
the
allegorical
supplement,
for
it
challenges
the
security
of
the
foundations
upon
which
aesthetics
is
erected.
Hence
the
vehemence
with
which
modern
aesthetics--
formalist
aesthetics
in
particular--
rails
against
the
allegorical
supplement,
for
it
challenges
the
security
of
the
foundations
upon
which
aesthetics
is
erected.
Hence
the
vehemence
with
which
modern
aesthetics--
formalist
aesthetics
in
particular--
rails
against
the
allegorical
supplement,
for
it
challenges
the
security
of
the
foundations
upon
which
aesthetics
is
erected.
Hence
the
vehemence
with
which
modern
aesthetics--
formalist
aesthetics
in
particular--
rails
against
the
allegorical
supplement,
for
it
challenges
the
security
of
the
foundations
upon
which
aesthetics
is
erected.
Hence
the
vehemence
with
which
modern
aesthetics--
formalist
aesthetics
in
particular--
rails
against
the
allegorical
supplement,
for
it
challenges
the
security
of
the
foundations
upon
which
aesthetics
is
erected.
Hence
the
vehemence
with
which
modern
aesthetics--
formalist
aesthetics
in
particular--
rails
against
the
allegorical
supplement,
for
it
challenges
the
security
of
the
foundations
upon
which
aesthetics
is
erected.
Hence
the
vehemence
with
which
modern
aesthetics--
formalist
aesthetics
in
particular--
rails
against
the
allegorical
supplement,
for
it
challenges
the
security
of
the
foundations
upon
which
aesthetics
is
erected.